Next we headed into the post production process, which lasted from the end of the shoot in mid-November until the end of April–approximately five and a half months.

The first step, once we’d caught our breath after the wrap party, was to begin the editing of the film. We were fortunate to be able to rent an isolated and beautiful country house for this purpose right next door to my home in the Stoddard hills of southwest New Hampshire and just up the road from where Aaron lived. Our editor Mario Ontal, who had worked on a number of John Sayles’  films, moved up from Read the rest of this entry »